broke ass student

tinyjutsu:

check out what i just finished/what will be in the shop soon!!!

neighborhoodiv

byunyounggeun:

between winter and spring #423x30.5cm canvas on watercolor

byunyounggeun:

between winter and spring #4
23x30.5cm canvas on watercolor

2jam4u:

davidrobert:

THIS is exactly why I love living in Toronto.

this now tops the jimmy/drake wheelchair stickers. God bless toronto

2jam4u:

davidrobert:

THIS is exactly why I love living in Toronto.

this now tops the jimmy/drake wheelchair stickers. God bless toronto

You are so used to your features, you don’t know how beautiful you look to a stranger.
this is so important (via aureat)
instagram-research:

Lonely Boyfriends Club of Yale by jchiwan http://ift.tt/1Ew78bN

instagram-research:

Lonely Boyfriends Club of Yale by jchiwan http://ift.tt/1Ew78bN

Move On Up
Curtis Mayfield

purple-noon:

Curtis Mayfield - Move On Up

This is my go to “feel good” song

always in the mood for fries tbh 

kelekelo:

megapyon:

ʖ haha got ur nose

( ͡°_ ͡°)

asylum-art:

NoPlace, Tidens Krav, and UKS in Oslo, Norway 

Photo by Jason Havneraa

Per Kristian Nygård, Not Red But Green, at No Place Gallery

NoPlace is an artist run space organized by Jason Havneraas, Kristian Skylstad, Karen Nikgol, Hans Christian Skovholt, and Petter Buhagen. During Not Red But Green, Per Kristian Nygård constructed and grew an impressive, hilly landscape of grassy mounds, receding mysteriously into an interior room. By estimation, the lawn may have receded thirty feet or so, but illusion stretched this to visually harbor the scale of true hillsides, presenting the viewer with elvish wonderment about process as well as intention. Several small children in attendance had to be warded off from climbing onto the greenway, and this was no wonder, for there was an instinctual and inviting pull from the grass, making one want to depart from the conventions of art viewership. The grass sculpture was grown in entirety from seeds that had been planted two or two-and-a-half weeks earlier, and the mound formations brought to mind Icelandic lore of Huldufólk, or Hidden People, the mythical inhabitants of stones and mounds. I asked Kristian Nygård if there was a connection to this Icelandic lore of the land, and he said not in particular, and rather he’s engaging with what he described as “basic sculpture” (seeds and soil) and “just works in space. ” Simply put, he said he was “trying to make something that doesn’t make sense.” Kristian Nygård also described how undertaking these interior sculptures involve finding out particularities and the labor of becoming “your own assistant and a gardener.” A visceral connection to craft and an open sense of process took hold, eclipsing the end result of production or concept of object.

amy-ambrosio:

Xiao Wen Ju by Angelo Pennetta for i-D Magazine, Fall 2014.

lx34e:

me and my friend arriving at an all you can eat buffet 

lx34e:

me and my friend arriving at an all you can eat buffet 

I read so I can live more than one life in more than one place.
Anne Tyler (via feellng)